StʌrunneR
Lady Wrangler 2018
- Genre: HIP-HOP/RAP
作词 : Chibueze, Collins
作曲 : Chibueze, Collins
Dream (ShaBooZey
Produced by:Nevin Sastry
We would run out out of gas
Got out the car and we pushed it
Used to front on the streets
We ain't land on no cushions
Knew I'd end up on top
Even when some said I couldn't
Came from humble beginnings now I flex when I shouldn't
Tell them boys in my city no more finessin'and druggin'
Made a mil'off a tape
Man the proof's in the puddin'
Don't be sayin'f**k radio they
Don't you be couldn't
Oh please don't cry everything's fine
I-I don't need no ride
Flexin'me on drive
All it took was time when I sleep I dream of Gina
She won't tell me lies she will keep me high
I don't have to hide when I sleep I dream of Gina
When I sleep I dream of Gina
Purple drank the color
When she leave she got me feenin'
Come on home you know I need it
When I close my eyes
When the sun don't shine
Every single night
When I sleep I dream of Gina
So many bottles of Ace'
My bought to then Gina
Told her stay here in London and she's gone by the mornin'
Oh yeah she say baby I can be your everything
But she just wanted me to buy her everything
Diamond chain diamond ring put her in a Range
W-When she ride that D she drive her man insane
The way she move them hips I might just make it rain
The way she lick her lips put me through so much pain
Don't call me no more
Can't talk too gone
Shawty you drama
Come around my team I'ma 'cause a scene
I don't need no ride
Flexin'on me drive
All it took was time when I sleep I dream of Gina
She won't tell me lies she will keep me high
I don't have to hide when I sleep I dream of Gina
When I sleep I dream of Gina
Purple drank the color
When she leave she got me feenin'
Come on home you know I need it
When I close my eyes
When the sun don't shine
Every single night
When I sleep I dream of
See no
See no
Seen her on Pico
She had no Gina
I called her over asked for her name
Told me Regina didn't believe her
I must be dreamin'
Said do I know you
She had me leave she turned away
I told her wait maybe stay maybe stay
I can't go another day
We have found her
Gina Gina Gina
Gina-I'm pleadin'
Gina Gina Gina
Have one last dance with me
- 1 Dream
- 2 Faithfully
- 3 Left Behind
- 4 Golden Child
- 5 Warped Tour
- 6 The Plan
- 7 Not For Me
- 8 Angels
- 9 I Came Up
- 10 5 Years Later
- 11 Winning Streak
Cowboys Live Forever, Outlaws Never Die 2022
- Genre: HIP-HOP/RAP
作词 : Chibueze Collins Obinna/Sean Cook
作曲 : Chibueze Collins Obinna/Sean Cook
[Intro]
(Move like a target)
Yeah, shit
[Verse]
I've been ridin' bulls since my first tooth came in, can't nobody knock me off
Got a team full of sluggers, swingin' like Hank Aaron, keep mouthin' off
Seen the Boozeman, they like "Ooh man, we gon' get him, that's an easy job"
Got the bootcut boys with me, tell me how the hell you gon' pull it off?
Yeah
Play with my money and that was the final straw
The Bootcut gang, them folk live way above the law
You want smoke, well you're in luck, we got it all
It's a dog eat dog world out there, better pray to God
[Outro]
Cowboys live forеver
Ooh, ooh, ooh
- 1 Rodeo World Champion
- 2 Tall Boy
- 3 My Love
- 4 The Ballad of Belt Buckle Bill
- 5 GAS!
- 6 Sticks and Stones
- 7 All Men Die (Freestyle)
- 8 Sick As Hell
- 9 Beverly Hills
- 10 Dead Opps (Interlude)
- 11 Hanging High
- 12 Snake
- 13 Why Can't Love Be The Reason
- 14 Why Can't Cowboys Cry?
Where I’ve Been, Isn’t Where I’m Going 2024
- Genre: Country
Yeah-yeah, eeh
(Vroo) foot on the gas, out on the road
Goin' for broke, plottin' on gold
Ain't lookin' back, nowhere is home
Life as an outlaw with nowhere to go
I packed up my bags, I'm fresh out of smokes
I'm takin' my habits, I'm holdin' them close
I'm pickin' my poison, it's eatin' my soul
Tell momma I love her, I'm out with the crows (ayy)
We ride palominos like they're SRTs (yeah)
Once I pick a speed, ain't no catchin' me, ayy
Lookin' for me, I be out in Tennessee
I don't stay the night, grab the cash and leave
And there's no way out of the life that we chose
Everyone knows where it goes
Ayy, we ride palominos like they're SRTs
Once I pick a speed, ain't no catchin' me
When the sun go down, we gon' push these horses to the limit
Yeah, in a lane of my own, can't get in 'cause we ain't with all of the switchin'
I'm in Dan Post, everyone lookin', the shit I put on different
Standin' ten toes, don't get too close
No matter who start it, we finish
I love my rifle, cross my heart, that will not change
Took a little bit of peyote, why the hell am I still in space?
Wifey gone, I'm finna go hard for the next three days
Withdrew all my money and then I broke the bank
We ride palominos like they're SRTs (yeah)
Once I pick a speed, ain't no catchin' me, ayy
Lookin' for me, I be out in Tennessee
I don't stay the night, grab the cash and leave
And there's no way out of the life that we chose
Everyone knows where it goes
Ayy, we ride palominos like they're SRTs
Once I pick a speed, ain't no catchin' me
Once I pick a speed, ain't no catchin' me
We ride palominos like they're SRTs (yeah)
Once I pick a speed, ain't no catchin' me, ayy
Lookin' for me, I be out in Tennessee
I don't stay the night, grab the cash and leave
- 1 Horses & Hellcats
- 2 A Bar Song (Tipsy)
- 3 Last Of My Kind
- 4 Anabelle
- 5 East Of The Massanutten
- 6 Highway
- 7 Let It Burn
- 8 My Fault
- 9 Vegas
- 10 Drink Don't Need No Mix
- 11 Steal Her From Me
- 12 Finally Over
Shaboozey 长期钟情于亡命之徒式的浪漫主义观念,他将这种痴迷灌注进第三张专辑《Where I’ve Been, Isn’t Where I’m Going》。“这个人站在一群人的对立面,身上有一股狠劲,就像是,‘我要把他们全部拿下’。”Shaboozey 告诉 Apple Music 他的专辑创作视角。这位美国乡村说唱歌手来自有着浓厚乡村音乐传统的弗吉尼亚,经过对西部电影、低俗小说和 Marty Robbins 的枪手民谣的仔细研究,他意识到 Hip-Hop 音乐和老派牛仔文化一样,与美国反主流的叛逆文化有紧密关联。
只要听过 Beyoncé 2024 年那张创造了乡村音乐专辑历史的《COWBOY CARTER》,便不会对其中围绕乡村音乐的黑人根源展开的对话感到陌生。Shaboozey 则是唯一一位在专辑中出现了两次的音乐人。“Beyoncé 在美国黑人社群中扮演了相当重要的角色。”他心怀敬畏地说道,能参与她的专辑,让他感到与有荣焉。“我们生活的每个时刻,她或多或少都有过一些文化影响。”过去十年,Shaboozey 一直试图在 Hip-Hop 和乡村音乐的融合中找到自己的一席之地,以改变游戏规则、重新定义乡村歌手的现代面貌。
《Where I’ve Been, Isn’t Where I’m Going》就像一部经典的美国公路电影,以钢棒吉他、马蹄疾驰以及刚抽完一支烟的 Shaboozey 猛踩油门却不知行向何方的音效开场。他邀请三位音乐人加入这场电影,与 BigXthaPlug 在《Drink Don’t Need No Mix》探讨享乐主义冒险;Noah Cyrus 加入了《My Fault》,演绎一段陷入困境的情感关系;在坚信自己独一无二的《Last Of My Kind》中,Paul Cauthen 雄浑的歌声为其增添自信的能量。我们也能在专辑中感受到许多音乐人的影响:《Let It Burn》里,Shaboozey 的男中音一半让人想起乡村乐歌手韦伦·詹宁斯和 Willie Nelson,一半是未来感的迷幻蓝调说唱;他还演绎了 Imagine Dragons 式的舞台摇滚,其中分手歌曲《Anabelle》甚至找到了兼具 Fleetwood Mac 与 Post Malone 风格的最佳平衡点。专辑中最出圈的单曲,还属《A Bar Song (Tipsy)》,它是 2024 年 Stagecoach 音乐节的突破性热门单曲,改编自圣路易斯说唱歌手 J-Kwon 20 年前的成名曲《Tipsy》,以南方乡村摇滚式的表达呈现了愉悦的假日氛围。
Shaboozey has long been inspired by the romantic notion of the outlaw: “The guy who’s standing against a whole bunch of folks and it’s like, ‘We’re going to take them down.’ Yeah, you can try!” the musician tells Apple Music’s Kelleigh Bannen. The obsession is less quaint than it sounds. Having pored through old western films, dime-store pulp novels, and gunslinger ballads à la Marty Robbins, the Virginia native noticed that old-school cowboy culture and hip-hop share a preoccupation with all things American renegade.
The conversation around country music’s Black roots will sound familiar to anyone who tuned in to Beyoncé’s COWBOY CARTER, which featured Shaboozey on two tracks. (“Beyoncé’s been such a big part of being Black in America,” he said, still in awe of the opportunity. “At every point in our lives, she has had some sort of cultural impact.”) But the 29-year-old singer/rapper has been staking his territory in the space between hip-hop and country for a decade, redefining what it means to be a modern country star.
His third album, Where I’ve Been, Isn’t Where I’m Going, plays out like a classic American road movie, opening with steel guitar, the gallop of horse hooves, and Shaboozey with his foot on the gas, fresh out of smokes and headed nowhere in particular. On tracks like “Let It Burn,” his rich baritone is equal parts Willie, Waylon, and woozy blues rap à la Future. Elsewhere, he channels Imagine Dragons’ arena-ready roots rock, where breakup banger “Annabelle” hits the sweet spot between Fleetwood Mac and Post Malone. But the star-making moment is “A Bar Song (Tipsy),” the breakaway hit of 2024’s Stagecoach Festival: a Southern-fried riff on a 20-year-old J-Kwon club classic with TGIF vibes.
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